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General Assembly Loire Summer Residency

 

During my residency, I immersed myself in pigment-making and alchemy. I set up an apothecary-style workspace where I processed minerals, bone, plant and metal from Azay-le-Rideau, and nearby, into pigments, inks and art tools, experimenting with their transformations through processes of fire, water, and time. This practice was both material and symbolic: a dialogue between local ecology, historical craft, and personal narratives of belonging.

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Alongside the hands-on work, I wrote a manuscript titled An Alchemist’s Key to Azay-le-Rideau. This text documents my colour journey in the Loire, interweaving pigment recipes, field notes, and fragments of local history. The manuscript serves as both a practical record and a poetic reflection, part recipe book, part alchemical journal, capturing how colour becomes a vessel for memory, place, and transformation.

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Read more of my time here.

Fired foraged clay inkwells
Handmade writing tools
Ink
Pigment, fresh water mussel shells and pewter sculpture
Lunch in the river
Elderberry lake pigment
Elderberry lake pigment
Dried earth pigment
The Alchemist's Key to Azay-le-Rideau Manuscript
Loire Summer residents
Apothecary window
Mulling watercolour paint
Oak apples
Bone white in the fire pit
Pigments
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